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1. #ARTSTUDIO PRO LUCKY CLAN SUPPORT WACOM CINTIQ FULL#
2. #ARTSTUDIO PRO LUCKY CLAN SUPPORT WACOM CINTIQ PORTABLE#

#ARTSTUDIO PRO LUCKY CLAN SUPPORT WACOM CINTIQ FULL#

Their Kamvas portfolio goes from 22-24 inches, starting with the inexpensive Kamvas 22 ($449), and ranging from Full HD (1920 x 1080) to QHD (2560 x 1440) with the Kamvas Pro 24 ($899). Chinese drawing tablet maker, Huion certainly has you covered in this range. If you can justify owning such a large display, there are, of course, several options to choose from. At that size, your drawing tablet becomes an unmovable object, genuinely tethered to the studio, essentially becoming a separate purchase that can’t be transported to the field. Īnd with that, we arrive at the other end of the spectrum, represented by pen displays accustomed with screens 24 inches or larger. However, this resolution/size combination is becoming more and more popular among other manufacturers lately.

#ARTSTUDIO PRO LUCKY CLAN SUPPORT WACOM CINTIQ PORTABLE#

For a long time, Wacom’s Cintiq Pro 16 was the only (and of course pricy) option if one wanted ultra-high definition in a more portable package. Even at 16 inches, we recommend opting for 4K (UHD, 3840 x 2160 pixels). Long story short, if you want an uncompromised drawing experience and work with lots of details, you need to invest in a large screen with good resolution. Depending on the assignment, this pixel density might result in somewhat pixelated line drawings. Most pen displays currently on the market at 16 inches or less utilize a full HD screen resolution (1920 x 1080 pixels). As XP-PEN’s Innovator 16 pops in mind regarding this segment, we must stop for a second and talk about resolution. Around that size, there are plenty of options that could be applied for both studio and fieldwork. As we move towards larger screens, at 16 inches, we hit the sweet spot between portability and usability. As a step up, one can utilize a small and inexpensive pen display (again, used in tandem with a separate monitor), such as the excellent, brand new XP-PEN Artist 12. Luckily, there are several options to “expand the view,” tailored to the artist’s or the employing institute’s allowances.Īt the least expensive end of the spectrum (concerning the field component as well) must be the iPad Pro tethered remotely to the computer by Astropad Studio, used in tandem with a large monitor. However, as soon as we implement this data into a larger context, we need more visual space in front of us. In some cases, such as dealing with small fragments, artifacts, or ceramics, one might be able to get away with working on a smaller canvas from start to finish. Each epigraphic assignment has preferences regarding the applied method and the workflow utilized to get the desired results. When transferring the Epigraphic Survey’s documentation procedure from traditional ink drawings to digitally “inked” pixel art, one aspect seemed to be of high priority from the get-go: owning the largest possible screen for studio work. Studio work heavy-weights (literally) representing the best of the 4K pen display segment: Wacom Cintiq Pro 24 (left) and Huion Kamvas Pro 24 (4K) (right).

Huion was kind enough to supply digital EPIGRAPHY a Huion Kamvas Pro 24 (4K) for this review.